Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

Women Composers

  • Bauer - Sonata - Alto Flute

    bauer op.22 nsmSonata, Op.22, by Marion Bauer

    Transcribed for Alto Flute by Peter H. Bloom (originally for viola)

    Alto Flute Part, PDF $11.79

    The following notes are excerpted, with permission, from the complete copyrighted foreword written by Peter H. Bloom for the Noteworthy Sheet Music edition of his transcription:

    "The career of Marion Eugenie Bauer (1882-1955) as a composer, editor, writer, teacher, supportive colleague and mentor continues to assert a significant impact on the trajectory of American Music.  It's mysterious that her legacy has been so rarely recalled and her music so infrequently performed in the six decades following her death.  ...  In 1906 she was the first of generations of American composers to study in Paris with the redoubtable Nadia Boulanger.  ...  We're fortunate that the composer crafted her own superb transcription of this sonata for clarinet and piano.  In order to achieve the equivalent musical impact, her viola and clarinet versions differ in some places.  The piano part, nevertheless, remains unchanged.  Sometimes we've opted for the clarinet version, sometimes the viola version, and sometimes a conflation of the two.  We have also made a few adaptive changes in tessitura, articulation, phrasing and dynamics to highlight the unique voice of the alto flute.  Though execution may occasionally differ, the rhetorical and emotional shape of the work remains essentially the same."

    P. H. Bloom, © January 7, 2014

    We provide our alto flute transcription; the piano part is readily available as a free pdf download of the score from sources such as imslp.org/.  Click to preview a page of the alto flute part.

    Alto Flute part, 9 pages of music; Total, 12 pages.

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  • Beach - 3 Compositions - Alto Flute & Piano

    beach op40 nsm 245px3 Compositions, Op.40, by Amy Beach

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $10.50

    Amy Marcy Cheney was born in Henniker, New Hampshire in 1867 and began composing music at the age of four.  Initially home-schooled as a pianist, she continued her music studies in Boston and made her professional debut as a pianist at age 16.   She later became a soloist with the Boston Symphony Orchestra.  At 18, she married the prominent Boston physician Dr. Henry Harris Aubrey Beach and began using "Mrs. H. H. A. Beach" as her professional name.  She continued to perform occasionally as a pianist, but for many years she focused her musical skills primarily on composing.   After her husband's death in 1910, Mrs. Beach resumed her performing career, beginning with a three year tour of Europe, while also continuing to write music.   Her works were received with great acclaim, and Amy Beach became one of America's leading composers and the first American woman composer to achieve widespread recognition in the United States and abroad.   During her lifetime, she wrote more than 150 numbered works, spanning a variety of genres that included piano pieces, chamber music, orchestral works, sacred choral music, and a great many songs.

    Amy Beach's 3 Compositions for Violin and Piano, Op.40, were first published in 1898.   Written in the romantic style, the three pieces are (1) the beautiful but sombre La Captive, (2) a lovely, lyrical Berceuse, and (3) a lively but still tender Mazurka.  In addition to alto flute transcriptions of all three pieces, we include in our edition a version of the Mazurka transcribed for flute and piano (score and part), for those wishing to give this option a try as well.

    Click to preview a page of the Amy Beach "Berceuse" score transcribed for Alto Flute and Piano.

    Alto Flute part, 4 pages; Piano/Alto Flute Score, 10 pages;

    Alternate "Mazurka" Flute part, 2 pages; "Mazurka" Piano/Flute Score, 5 pages;

    Total, 29 pages.

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  • Li Qi - Fog - Flute Alone

    LiQi Fog nsmFog, by Li Qi


    Contemporary Composition for Solo Flute, PDF $5.99

    Fog was written in 2012 by the up-and-coming young composer Li Qi.  In addition to receiving other projects and awards, Li Qi was selected by the Wellesley Chamber Music Workshop to compose the program's commissioned piece for 2016, An Autumn Dusk in the Mountains for flute1, flute2/alto flute, cello, and piano.


    Short, interesting, and challenging, Fog will appeal to advanced flutists and their audiences. Inspired by the poem "Stray Birds" by Rabindranath Tagore, the piece strives to capture in a musical way the recurring interplay between fog and sunlight, as a representation of the circle of life with all its sorrow, joy, and continuously-unfolding beauty.  A recording of a 2012 performance of Fog by Heath White at the Jacobs School of Music, Indiana University, has been posted on YouTube; please click the link to listen.

    Our front cover image is from Wikimedia Commons: "The Mount Emei" by pookieevans (CC BY-SA 2.0).


    Flute part, 3 pages; Total, 7 pages.

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  • Vercoe - Butterfly Effects - Flute(s) and Harp

    vercoe.butterfly.nsmButterfly Effects, by Elizabeth Vercoe

    Contemporary Composition for Flute(s) and Harp

    Flute Part and Harp Score, PDF $26.99
     

    Butterfly Effects is an intriguing and varied piece in seven sections for flute and harp in which the flutist is asked to play bass, alto, piccolo and concert flutes. The titles are the names of butterflies: Mourningcloak, Banded Blue Pierrot, Common Jezebel, Question Mark, Monkey Puzzle, Karner Blues, and Psyche.

    Excerpted from Elizabeth Vercoe's preface: "Butterfly Effects for flute and harp was written for the duo "2", with flutist Peter H. Bloom and harpist Mary Jane Rupert, who premiered the first parts of the piece in Bangkok and the entire work in Illinois in 2010. Along with the butterflies themselves, a quotation from Zhuangzi was the starting point for the music: "Am I a human who dreamt of being a butterfly or am I now a butterfly who dreams of being human?" The Taoist philosopher's dream illustrates, among other lessons, his sense of oneness with all living beings. // All seven movements are short, some only a minute in length. Mourningcloak, for alto flute and harp, is somber and reflective. Banded Blue Pierrot (concert flute) is short and glittering. Common Jezebel is a sultry tango for bass flute and harp that becomes increasingly chromatic and contrapuntal, requiring the harpist to do some fancy footwork. Question Mark, also for bass flute, requires the flutist to use "beat boxing" and key slap techniques that maximize the percussive qualities of the flute. Monkey Puzzle, in a kind of mimicry of the confusing antennae and pseudo antennae of the insect, flutters along to the middle of the piece and then proceeds backwards to the beginning in what is known as retrograde motion. Karner Blues adopts some of the riffs of blues instrumentalists and singers in the only movement for piccolo. Psyche, a word meaning breath or soul in Greek, is for concert flute and reminds us again of the Zhuangzi dream and the oneness of all living beings."

    Butterfly Effects may be performed by one flutist playing multiple instruments, or by multiple flutists each playing one instrument for the relevant movement(s).

    Our striking cover image for this publication is of the painting "Jezebel Tapestry #2" by Louisa King Fraser, used with the artist's permission.

    Butterfly Effects for flute(s) and harp received a rave review by Nicole Riner in the Fall 2015 edition of the National Flute Association’s membership magazine The Flutist QuarterlyRead the review in its entirety reprinted on the NSM website with permission from the NFA, or visit the NFA website.

    Click to view a YouTube video of the duo "2" performing Banded Blue Pierrot.

    Flute part, 16 pages; Harp Score, 43 pages; Total, 66 pages.

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    We also offer a printed hard copy edition of Butterfly Effects for $45.88 plus a $5.95 shipping and handling fee.  Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Vercoe - Fantavia - Flute & Percussion

    Fantavia_Image_122011Fantavia, by Elizabeth Vercoe

    Contemporary Composition for Flute and Percussion, PDF $12

    Described by the New York Times as a piece with 'timbral adventures and lovely moments', Fantavia for flute and percussion is based on the rhythms and melodies of North American birdcalls.  Some of the calls are as familiar as the orioles and robins of a suburban back yard, while others like the common loon are recollected on awakening at dawn in the wilderness.  Although a literal transcription was the starting point for each call, the music is intended as a fantasy. Click to preview p1 of Elizabeth Vercoe's Fantavia score.


    ev image flipped caption jpg

    Fantavia has been performed at the Cité Internationale des Arts in Paris, at Merkin Hall in New York, at the National Flute Convention in Colorado and on several U.S. tours of the Armstrong Duo. 

    vercoe fantavia cdThe Duo recorded Fantavia on a Centaur compact disc entitled “Exotic Chamber Music” in 1996.  Click to read a review published in the IAWM Journal

    Click on the icons to hear audio samples. 

     mp3 iconmp3 fantavialoon  

    mp3 iconmp3 fantaviatrills

    Named by the Washington Post as 'one of the most inventive composers working in America today', Elizabeth Vercoe has had performances throughout the U.S. and abroad including: the St. Petersburg Spring Music Festival in Russia, the Goethe Institute in Bangkok, and the Pompidou Center in Paris as well as by the New York Virtuoso Singers and Boston Musica Viva.

    Score for flute and percussion, 14 pages; Total, 17 pages.

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    We also offer a printed hard copy edition of Fantavia for $20.40 plus a $5.95 shipping and handling fee.  Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Vercoe - To Music - Flute Alone

    to music cover imageTo Music, by Elizabeth Vercoe

    Contemporary Composition for Solo Flute, PDF $6.99

    Dr. Elizabeth Vercoe has been a composer at the St. Petersburg Music Festival in Russia, the Cité International des Arts in Paris, and the MacDowell Colony, and held the Acuff Chair of Excellence at Austin Peay State University in 2003. She has won many awards, commissions, and publications along with grants from the Artists Foundation and the National Endowment for the Arts. Her music is recorded on the Centaur, Capstone, Owl, Leonarda, and Parma labels and is published in print edition by Arsis Press.  

    To Music (2003) is a short, atmospheric solo for flute in four contrasting sections.  At times the music is virtuosic, occasionally calling for multiphonics and other special effects. The titles of the four sections are taken from the haunting poetry of the Russian writer, Anna Akhmatova, a poet deeply interested in music.  

    Click to access a recording of To Music performed by flutist Peter H. Bloom in 2011 which has been posted on YouTube.

    To Music can also be heard on the PARMA Recordings all-Vercoe CDkleemation cd titled Kleemation and Other Works byElizabeth Vercoe, which has received excellent critical reviews.  Click to read an IAWM Journal review Dr. Laura G. Kafka or one by Lee Passarella published by Audiophile Audition magazine.  "There's more poetic reference in To Music, the titles of whose four short sections are taken from Russian poet Anna Akhmatova's work.  Like the Fantasy, it successfully showcases the colors and techniques available to the modern practitioner of her instrument, in this case the flute."

    Flute part, 5 pages; Total, 8 pages.

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    vercoe tomusic cdTo Music was commissioned by flutist Lisa Vanarsdel and written for her and for the Laurels Flute Project.  The piece was premiered in 2005 by flutist Peter Bloom on the Quincy Library concert series in Quincy, Massachusetts. In 2009 Capstone Records issued a recording entitled "Points of Entry" (CP 8806, second volume of the Laurels Flute Project) with flutist Nancy Stagnitta performing To Music. 

    Listen to a bit of To Music: mp3 icon mp3 tomusic

     

    The image on our sheet music cover page displayed above is of Nathan Altman's 1914 painting, Portrait of Anna Akhmatova.  Please note that this image, courtesy of Wikipedia, is public domain in the United States because it was first published before 1923 but it remains copyrighted in its source country.  By clicking on the Buy Now or Add to Cart button below, you may purchase an (otherwise identical) edition lacking this image on the cover page.

     version without cover image

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    We also offer a print version of To Music, for those who prefer to purchase the piece as a professionally-printed hard copy. The price is $11.88 plus a $5.95 shipping and handling fee.  Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

     

     

  • Vercoe – Duos – Two Flutes

    vercoe1Duos, by Elizabeth Vercoe

    Original Compositions for 2 Flutes, $0.00 (free!)

    Elizabeth Vercoe's Duo 1 and Duo 2 were composed in 1991; Duo 3 in 2013. All three pieces are available as free downloads from the composer's own website at http://www.elizabethvercoe.com/.  Dr. Vercoe kindly offered to allow Noteworthy Sheet Music, LLC to make these duets available from our website as well.  The Duos are "fun and quite easy. They are suitable for intermediate students."

    Photo of Elizabeth Vercoe courtesy of Caroline Alden.

     

    Just click on the links below to download the Duos at no charge:

    Duo 1  for 2 flutes

    Duo 2  for 2 flutes

    Duo 3  for 2 flutes

  • Vercoe – Kleemation – Flute & Piano

    vercoe.kleemation nsmKleemation, by Elizabeth Vercoe

    Original Composition for Flute and Piano

    Flute Part and Piano Score, PDF $16.95

    Kleemation for flute and piano is in five short movements based on five drawings by Paul Klee titled: Goodbye to You, Please!, Afraid on the Beach, More Will Be Marching Soon, and Woman Sowing Weeds.  Described as "highly abstract yet accessible," the piece was commissioned by Austin Peay University in Tennessee and received its premiere there in 2003.  The New England premiere was at the Duxbury Art Museum in 2004 by the duo "2" (flutist Peter H. Bloom and pianist Mary Jane Rupert).  "2" has since performed the piece on tours in the U.S., Thailand, Australia, and New Zealand.  Click to read a testimonial to Elizabeth Vercoe's composition Kleemation written by Mr. Bloom. kleemation cd

    Kleemation was recorded by "2" and can be heard on the PARMA Recordings all-Vercoe CD entitled Kleemation and Other Works by Elizabeth Vercoe.  In an IAWM Journal CD review Dr. Laura G. Kafkawrites: “Vercoe musically renders Klee’s drawings with all the humor, fear, and reality that make each one leap from its canvas and dance.”  Click to read Dr. Kafka’s full review. In another review published by Audiophile Audition magazine on September 26, 2013, Lee Passarella writes: "Vercoe (b. 1941) also shows a willingness to adapt different musical styles and elements to her basic idiom: the essential atonality of her music is leavened with some well-chosen pop influences where appropriate to the subject matter at hand.  That includes Kleemation, a work based on drawings by Swiss modernist painter Paul Klee.  Klee's sometimes whimsical, sometimes troubling art turns for its inspiration to the uninhibited world of the child artist." 

    Listen to an audio sample of Kleemationmp3 icon from the opening of the title piece.

    Click here to preview p1 of the flute and piano score for Kleemation.

    Piano score, 27 pages; Flute part, 11 pages; Total, 44 pages; PDF $16.95.

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    For those who would prefer to purchase a printed hard copy of this piece, rather than the PDF download offered here, our print edition of Kleemation for Flute and Piano by Elizabeth Vercoe is available from Amazon, under Books (sheet music).  Click to view the listing of the NSM print edition on Amazon.com.  Or, order a print edition directly from NSM for $26.99 plus a $5.95 shipping and handling fee.  Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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