Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

Noteworthy Sheet Music is delighted to offer contemporary works by the following composers:

Peter H. Bloom

bloom 3 fls 2006Peter H. Bloom, flute, whose playing has been called “a revelation for unforced sweetness and strength” (The Boston Globe), performs diverse chamber music from period-instrument performances to new music premieres. He is also a noted jazz artist. He concertizes widely in the U.S., Canada, Europe, Asia, Australia and New Zealand; appears on 35 recordings (Sony Classical, Dorian, Newport Classic, Leo Records, and other labels); and is a winner of the American Musicological Society’s Noah Greenberg Award. He has given lectures, workshops and master classes across the globe on such wide-ranging topics as historical performance, new music, jazz and improvisation. Mr. Bloom has served as historical performance consultant to The American Museum in Britain, The New-York Historical Society, The American Antiquarian Society and Boston’s Museum of Fine Arts, where he has given numerous lecture-demonstrations and recorded for the audio guide to historical woodwinds. A board member of The James Pappoutsakis Flute Competition, he holds an MM with distinction in flute performance from New England Conservatory of Music and a BA (philosophy) from Boston University.

Among his many recitals and chamber music concerts, Mr. Bloom has performed for The National Gallery in London, The New Zealand School of Music in Wellington, University of Canberra College of Music (Australia), the Sydney and Southern Highlands Music Society (Australia), the Goethe Institute in Bangkok, Payap University in Chiang Mai (Thailand), The Yale Center for British Art, The Metropolitan Museum, Atlanta's Spivey Hall, The American Musical Instrument Society, The National Flute Association, The Shakespeare Association of America, Bach Festival Society of Winter Park Florida, The New York Flute Club, Early Music Boulder Colorado, the Royal Shakespeare Company’s Residency at Davidson College, and the National Gallery of Canada in Ottawa.

As a jazz flutist and saxophonist, Mr. Bloom is a 30-year veteran with the internationally acclaimed Aardvark Jazz Orchestra (“a bracing walk on the wild side of the big band spectrum” - JazzTimes), performing at venues including Boston Globe Jazz and Blues Festival, Lake George Jazz Weekend, The National Gallery (Washington, DC), Berklee Performance Center, Scullers Jazz Club, Regattabar, Institute of Contemporary Art, St. Peter’s Church in Manhattan, Autumn Uprising Festival of New and Improvised Music, Jacob’s Pillow Dance Festival-New Jazz Series and elsewhere. He has performed with such noted Aardvark guest artists as Jaki Byard, Sheila Jordan, Geri Allen, Jay Clayton, and Walter Thompson, and has appeared with Jazz Expansions Orchestra, Composers in Red Sneakers, Underground Composers, the MIT Festival Jazz Ensemble, Todd Brunel’s Vortex Series for New and Improvised Music, and FiLmprov (improvised music to the animated films of Kate Matson).

An extensive discography includes recordings for SONY Classical, Dorian, Leo Records, Newport Classic, 9Winds, North Star, Soundjewel and other labels. Mr. Bloom appears with pianist Mary Jane Rupert (the duo “2”) on Navona Records’ new release, Kleemation and Other Works by Elizabeth Vercoe (“one of the most inventive composers working in America today.”). He was executive producer and soloist in D.C. Hall's New Concert and Quadrille Band's recording Grand Concert!, praised by Gramophone: "Clean playing and careful ensemble are the keynote...Hall's Band meets the challenge with precision and spirit." (Dorian, recently re-released on Americas Musicworks). Other recordings include Hall's Band’s Union and Liberty (music of the American Civil War, Dorian), Measure for Measure: Music of Shakespeare's Plays (Ensemble Chaconne with Pamela Dellal, Americas Musicworks), and Take Me Out to the Ballgame (music of baseball 1858-1913, with mezzo-soprano D'Anna Fortunato, SONY Classical).Mr. Bloom can be heard on 11 CDs by The Aardvark Jazz Orchestra, including the band's acclaimed disc, American Agonistes on Leo Records ("a stunning hour of music that is in turn beautiful, poignant and raucous" -- Billboard.com). With members of Aardvark, he recorded improvised music for the National Film Preservation Foundation’s DVD series Treasures from the American Film Archives, which The New York Times called “one of the best sets of the year.”

http://www.americasmusicworks.com/peter-h-bloom.html

http://phbloom.home.comcast.net/

Mr. Bloom's composition Ablaze She Came In The Dream for flute, viola, and guitar was published by NSM in February, 2014; an adaptation for flute, cello, and guitar was created in May, 2016.  From the Drawer for tenor or soprano, flute, clarinet, bassoon, and horn was published in November, 2015; a new edition for tenor or soprano and saxophone quartet was published in May, 2016.

In addition, NSM currently offers several arrangements and transcriptions by Mr. Bloom:  The Wreck of the Hesperus (Hatton/Longfellow) for tenor, flute, clarinet, violin, viola, and double bass; Chaconne (Bach) for solo flute or alto flute; Der Hirt auf dem Felsen (Schubert) obbligato for alto flute; Romanza Andaluza (Sarasate) for flute, Fantaisie (Saint-Saëns) for flute, and Sonata, Op.22 (Bauer) for alto flute.

The following CDs featuring Peter H. Bloom are available from NSM: Measure for Measure: the Music of Shakespeare's Plays; Amoroso: The Heartbeat of Brazil; Grand Concert! Dramatic Concert & Ballroom Music Heard in 19th Century America; and Tea-Time Classics.

Peter Van Zandt Lane

petervanzandtlane_biopicPeter Van Zandt Lane is a widely performed composer living in New England.  His music is fresh and genuine, frequently high-energy and dramatic.  His instrumental music, in particular, often engages technology and its influence on art music in the 20th and 21st centuries through the use of live electronics and/or fixed-media.  His music has been characterized by its "propulsive rhythms" and "surprising lyricism" (Boston Musical Intelligencer), hailed for its ability to appeal to musicians and audiences "no matter their personal musical aesthetic" (Asymmetry Music Magazine).

Mr. Van Zandt Lane has received recent commissions from the Barlow Endowment for Music Composition, the Wellesley Composers Conference and Chamber Music Center, Dinosaur Annex Music Ensemble, EAR Duo, and the SUNY Purchase Percussion Ensemble.  His compositions have been performed across the United States, as well as in Europe and South America by acclaimed musicians and ensembles such as The Cleveland Orchestra, International Contemporary Ensemble, Triton Brass, Xanthos Ensemble, East Coast Composers Ensemble, SIGNAL, NotaRiotous, The Quux Collective, Freon Ensemble (Rome), and the New York Virtuoso Singers. Twice a finalist for the SEAMUS/ASCAP Commission, Mr. Van Zandt Lane has been recognized by numerous awards and prizes, and has been a featured composer at some of the country's finest electronic and contemporary music festivals and venues, including Spark Festival, SEAMUS National Conferences, SARC at Queen's University (Belfast), LIPM/IEMS (Buenos Aires), Forecast Music, New Gallery Concert Series, 12-Nights Electronic Music and Art, New York City Electroacoustic Music Festival, The Annual Festival of Contemporary Music (San Francisco), Boston Cyber-Arts Festival, Leonard Bernstein Festival of the Arts, and Festival Miami.  He has had recordings commercially released on PARMA/Navona Records.

Mr. Van Zandt Lane holds degrees from Brandeis and the University of Miami Frost School of Music; and studied composition with Melinda Wagner, Eric Chasalow, and David Rakowsi, and bassoon with Luciano Magnanini.  He completed a PhD in Music Composition and Theory at Brandeis University.  Currently he serves as Visiting Assistant Professor at the University of Florida.

http://www.petervanzandtlane.com/

NSM offers three works by Mr. Lane: Danzas Mecánicas for woodwind quintet, Transverse Fractures for flute and piano, and Seven Rants for wind quintet and piano.

LI Qi

QI LI 20150711142251Born in 1990 in Beijing, China, LI Qi is currently a master's degree student majoring in composition at the Jacobs School of Music.  Her teachers include Sven-David Sandström, Don Freund, Claude Baker, Aaron Travers, and P.Q. Phan.  Recent commissions include An Autumn Dusk in the Mountains for the Composers Conference at Wellesley College, Tristis est anima mea for SSAB Choir commissioned by Miguel Diniz (Portugal), and an arrangement of Yummy Music for IU Kids Compose commissioned by the IU Concert Band.  She was the recipient of the Dean's Scholarship and Artistic Excellence Fellowship from the Jacobs School of Music, the Irving and Lena Lo "ILLO" Scholarship, and awards from Hutton Honors College.  Her works have been performed in the Midwest Symposium in Cincinnati, the HighSCORE Festival in Italy, the Composers Conference at Wellesley College, the "East Meets West: A Concert of New Chinese Music" at the IU Art Museum, among other venues.  In addition to the Bachelor's degree in Music Composition she earned, Qi also received scholarships and obtained a Bachelor's degree in Computer Science and Technology in 2012 and from the Communication University of China.

NSM currently offers one work composed by LI Qi: Fog (2012) for solo flute, published by Noteworthy Sheet Music in 2016.

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