flute

Introduction et Rondo pour la Flûte, Op.49, by Tulou

Gassett Collection - Facsimile Edition by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

Flute Part and Piano Score, PDF $12.75

Jean-Louis Tulou (1786-1865) was a prominent, virtuoso French flutist, composer, and flute maker. He was a member of the orchestra of the Paris Opéra, and served as professor of flute at the Paris Conservatoire from 1829-1856. Tulou composed a great many works for flute, including 5 concertos and numerous solos and duets. In 1835 he published his "Méthode de Flûte", still valuable today as a guide to performance practice in the early 19th century and for instruction on playing pre-Boehm keyed flutes. We offer here our facsimile edition of Tulou's Introduction et Rondo pour la Flûte avec Accompagnement de Piano (Op.49), an energetic, enjoyable romp for flute.

For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.

Piano score, 12 pages; Flute part, 5 pages; Total, 21 pages.

We Gather Together, by Adrianus Valerius

Arranged for Woodwind Quintet by John W. Pratt

Score and Parts for Flute, Oboe, Bb Clarinet, F Horn, and Bassoon; PDF $5.99

Wilt heden nu treden, nowadays more commonly known as We Gather Together, is a Christian hymn of Dutch origin composed by Adrianus Valerius and first published in 1626 (imslp.org); it was later harmonized by Eduard Kremser (en.wikipedia.org).  In the United States, We Gather Together is the most popular song traditionally associated with the Thanksgiving holiday.  John Pratt has created an arrangement of We Gather Together for woodwind quintet that lends new excitement and interesting harmonies to this old favorite.  In his family, the tradition goes back as far as John Pratt (b. 1931) can remember, and when it fell to him to play all three stanzas at his family's annual gathering, he got interested in livening it up.  The opportunistic half-step modulations introduced to help amateur voices warm up also brighten successive stanzas for winds.  Our Noteworthy Sheet Music edition includes a score in concert pitch, as well as parts for flute, oboe, Bb clarinet, horn in F, and bassoon.

Note that for this publication, the parts should be printed one-sided since they are only one page each and we have not inserted blank filler pages.

Score, 3 pages; Parts for Flute, Oboe, Bb Clarinet, F Horn, and Bassoon, 1 page each; Total, 10 pages.

Butterfly Effects, by Elizabeth Vercoe

Contemporary Composition for Flute(s) and Harp

Flute Part and Harp Score, PDF $26.99

Butterfly Effects is an intriguing and varied piece in seven sections for flute and harp in which the flutist is asked to play bass, alto, piccolo and concert flutes. The titles are the names of butterflies: Mourningcloak, Banded Blue Pierrot, Common Jezebel, Question Mark, Monkey Puzzle, Karner Blues, and Psyche.

Excerpted from Elizabeth Vercoe's preface: "Butterfly Effects for flute and harp was written for the duo "2", with flutist Peter H. Bloom and harpist Mary Jane Rupert, who premiered the first parts of the piece in Bangkok and the entire work in Illinois in 2010. Along with the butterflies themselves, a quotation from Zhuangzi was the starting point for the music: "Am I a human who dreamt of being a butterfly or am I now a butterfly who dreams of being human?" The Taoist philosopher's dream illustrates, among other lessons, his sense of oneness with all living beings. // All seven movements are short, some only a minute in length. Mourningcloak, for alto flute and harp, is somber and reflective. Banded Blue Pierrot (concert flute) is short and glittering. Common Jezebel is a sultry tango for bass flute and harp that becomes increasingly chromatic and contrapuntal, requiring the harpist to do some fancy footwork. Question Mark, also for bass flute, requires the flutist to use "beat boxing" and key slap techniques that maximize the percussive qualities of the flute. Monkey Puzzle, in a kind of mimicry of the confusing antennae and pseudo antennae of the insect, flutters along to the middle of the piece and then proceeds backwards to the beginning in what is known as retrograde motion. Karner Blues adopts some of the riffs of blues instrumentalists and singers in the only movement for piccolo. Psyche, a word meaning breath or soul in Greek, is for concert flute and reminds us again of the Zhuangzi dream and the oneness of all living beings."

Butterfly Effects may be performed by one flutist playing multiple instruments, or by multiple flutists each playing one instrument for the relevant movement(s).

Our striking cover image for this publication is of the painting "Jezebel Tapestry #2" by Louisa King Fraser, used with the artist's permission.

Butterfly Effects for flute(s) and harp received a rave review by Nicole Riner in the Fall 2015 edition of the National Flute Association’s membership magazine The Flutist Quarterly.  Read the review in its entirety reprinted on the NSM website with permission from the NFA, or visit the NFA website.

Click to view a YouTube video of the duo "2" performing Banded Blue Pierrot.Banded Blue PierrotClick to view a YouTube video of the duo "2" performing Banded Blue Pierrot.

Peter H. Bloom gave a lecture on “Effective Writing for Flutes and the Contemporary Flutist” at the 2018 Snow Pond Composers Workshop.  In his presentation, Mr. Bloom discussed various topics using four contemporary works published by Noteworthy Sheet Music, including Butterfly Effects, as examples.  We later published a free text version of this excellent presentation on our website, in the Reviews and Articles section, including some of the audio clips and supplemental written materials that Mr. Bloom used as demonstrations.

The Elizabeth Vercoe CD "Butterfly Effects and Other Works" was released in November 2018.  The CD is available through Navona Records and features the title track performed by duo "2".  Here is a quote from Cinemusical's review of the CD: "The album opens with a multi-movement work for flutes and harp, Butterfly Effects (2009).  Across the seven movements, Vercoe explores the qualities of different instruments in the flute family: alto flute, bass flute, concert flute, and piccolo.  The music has a slight impressionistic quality to it, aided by the harp’s material.  Against this is first a rather dreamy, dark opening movement (“Mourningcloak”); a faster-paced flitting “Banded Blue Parrot”; a tango (“Common Jezebel”); intriguing effects like beat-boxing (“Question Mark”) and blues riffs (“Karner Blues”); and a palindromic compositional technique (“Monkey Puzzle”).  The flute lines allow for registral exploration and often features some sinuous lines.  Some are sultrier than others, but it is as if these are all like watercolor brushstrokes that tend to be somewhat introspective in this often stunningly beautiful work."  Another nice review of this CD, written by Nicole Riner, came out in the Flutist Quarterly Spring 2019 edition; here's a quote: "I had the pleasure of reviewing the sheet music for Butterfly Effects for this publication in 2015 and found it to be wonderfully diverse and intriguing. /// Bloom and Rupert perform this work deftly and with a great sense of unity”.

Flute part, 16 pages; Harp Score, 43 pages; Total, 66 pages.

Fantavia, by Elizabeth Vercoe

Contemporary Composition for Flute and Percussion, PDF $12

Described by the New York Times as a piece with 'timbral adventures and lovely moments', Fantavia for flute and percussion is based on the rhythms and melodies of North American birdcalls.  Some of the calls are as familiar as the orioles and robins of a suburban back yard, while others like the common loon are recollected on awakening at dawn in the wilderness.  Although a literal transcription was the starting point for each call, the music is intended as a fantasy.

Fantavia has been performed at the Cité Internationale des Arts in Paris, at Merkin Hall in New York, at the National Flute Convention in Colorado and on several U.S. tours of the Armstrong Duo. 

 

Named by the Washington Post as 'one of the most inventive composers working in America today', Elizabeth Vercoe has had performances throughout the U.S. and abroad including: the St. Petersburg Spring Music Festival in Russia, the Goethe Institute in Bangkok, and the Pompidou Center in Paris as well as by the New York Virtuoso Singers and Boston Musica Viva.

Score for flute and percussion, 14 pages; Total, 17 pages.

To Music, by Elizabeth Vercoe

Contemporary Composition for Solo Flute, PDF $6.99

Dr. Elizabeth Vercoe has been a composer at the St. Petersburg Music Festival in Russia, the Cité International des Arts in Paris, and the MacDowell Colony, and held the Acuff Chair of Excellence at Austin Peay State University in 2003. She has won many awards, commissions, and publications along with grants from the Artists Foundation and the National Endowment for the Arts. Her music is recorded on the Centaur, Capstone, Owl, Leonarda, and Parma labels and is published in print edition by Arsis Press.  

To Music (2003) is a short, atmospheric solo for flute in four contrasting sections.  At times the music is virtuosic, occasionally calling for multiphonics and other special effects. The titles of the four sections are taken from the haunting poetry of the Russian writer, Anna Akhmatova, a poet deeply interested in music.  

Click to access a recording of To Music performed by flutist Peter H. Bloom in 2011 which has been posted on YouTube.

To Music can also be heard on the PARMA Recordings all-Vercoe CD titled Kleemation and Other Works by Elizabeth Vercoe, which has received excellent critical reviews.  Click to read an IAWM Journal review Dr. Laura G. Kafka or one by Lee Passarella published by Audiophile Audition magazine.  "There's more poetic reference in To Music, the titles of whose four short sections are taken from Russian poet Anna Akhmatova's work.  Like the Fantasy, it successfully showcases the colors and techniques available to the modern practitioner of her instrument, in this case the flute."

The image on our sheet music cover page displayed above is of Nathan Altman's 1914 painting, Portrait of Anna Akhmatova.  Please note that this image, courtesy of Wikipedia, is public domain in the United States because it was first published before 1923 but it remains copyrighted in its source country.  Therefore, we offer two editions of this publication, a USA edition with the Altman cover image and a non-USA edition without the cover image.  The editions are otherwise identical.  

To Music was commissioned by flutist Lisa Vanarsdel and written for her and for the Laurels Flute Project.  The piece was premiered in 2005 by flutist Peter Bloom on the Quincy Library concert series in Quincy, Massachusetts. In 2009 Capstone Records issued a recording entitled "Points of Entry" (CP 8806, second volume of the Laurels Flute Project) with flutist Nancy Stagnitta performing To Music. 

Listen to a bit of To Music:  mp3 tomusic

Woodwind Duos, by Elizabeth Vercoe

Original Compositions for 2 Flutes, 2 Oboes, or 2 Clarinets, $0.00 (free!)

Elizabeth Vercoe's Duos for woodwinds are available as free downloads from the composer's own website at http://www.elizabethvercoe.com/.  Dr. Vercoe kindly offered to allow Noteworthy Sheet Music, LLC to make these duets available from our website as well.

The Duos, in versions for two flutes, two oboes, or two clarinets, are "fun and quite easy. They are suitable for intermediate students."

Photo of Elizabeth Vercoe courtesy of Caroline Alden.

Just click on the links below to download the Duos at no charge; each PDF includes all 5 short duets:

Duos, by Elizabeth Vercoe

Original Compositions for 2 Flutes, $0.00 (free!)

Elizabeth Vercoe's Duos  for two flutes  are available as free downloads from the composer's own website at http://www.elizabethvercoe.com/.  Dr. Vercoe kindly offered to allow Noteworthy Sheet Music, LLC to make these duets available from our website as well.  The Duos are "fun and quite easy. They are suitable for intermediate students."

Photo of Elizabeth Vercoe courtesy of Caroline Alden.

Just click on the links below to download the Duos at no charge:

Kleemation, by Elizabeth Vercoe

Original Composition for Flute and Piano

Flute Part and Piano Score, PDF $16.95

Kleemation for flute and piano is in five short movements based on five drawings by Paul Klee titled: Goodbye to You, Please!, Afraid on the Beach, More Will Be Marching Soon, and Woman Sowing Weeds.  Described as "highly abstract yet accessible," the piece was commissioned by Austin Peay University in Tennessee and received its premiere there in 2003.  The New England premiere was at the Duxbury Art Museum in 2004 by the duo "2" (flutist Peter H. Bloom and pianist Mary Jane Rupert).  "2" has since performed the piece on tours in the U.S., Thailand, Australia, and New Zealand.  Click to read a testimonial to Elizabeth Vercoe's composition Kleemation written by Mr. Bloom. 

Kleemation was recorded by "2" and can be heard on the PARMA Recordings all-Vercoe CD entitled Kleemation and Other Works by Elizabeth Vercoe.  In an IAWM Journal CD review Dr. Laura G. Kafkawrites: “Vercoe musically renders Klee’s drawings with all the humor, fear, and reality that make each one leap from its canvas and dance.”  Click to read Dr. Kafka’s full review. In another review published by Audiophile Audition magazine on September 26, 2013, Lee Passarella writes: "Vercoe (b. 1941) also shows a willingness to adapt different musical styles and elements to her basic idiom: the essential atonality of her music is leavened with some well-chosen pop influences where appropriate to the subject matter at hand.  That includes Kleemation, a work based on drawings by Swiss modernist painter Paul Klee.  Klee's sometimes whimsical, sometimes troubling art turns for its inspiration to the uninhibited world of the child artist." 

Listen to an audio sample of Kleemation from the opening of the title piece.

Piano score, 27 pages; Flute part, 11 pages; Total, 44 pages; PDF $16.95.

Trois Duos Concertants Brillants et Faciles, by Eugène Walckiers

2me Livre de Duos, Op.11

Transcribed for Flute and B-flat Clarinet by C.A.Vater

Duo 1: Flute Part, Clarinet Part, and Score, PDF $10.50

Duo 2: Flute Part, Clarinet Part, and Score, PDF $15.00

Duo 3: Flute Part, Clarinet Part, and Score, PDF $16.50

Please view our listing for Eugène Walckiers' 2me Livre de Duos pour Deux Flutes to read a general description of this work.  After publishing our renotated modern editions of these wonderful Walckiers' flute/flute duets, Noteworthy Sheet Music received a request that we create transcriptions of the duets for flute and B-flat clarinet.  We thought this was a great idea, and our flute and clarinet versions are now available.   

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For those who would prefer to purchase professionally-printed hard copies, our print editions of the 2^nd Book of Duos, Op.11 by Eugène Walckiers, transcribed for Flute and Clarinet are available directly from NSM.  Duo 1, $17.85; Duo 2, $25.50; Duo 3, $28.05; plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

Trois Duos Concertants Brillants et Faciles pour Deux Flutes, by Eugène Walckiers

Gassett Collection - New Editions by C.A.Vater/Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

2^me Livre de Duos pour 2 Flutes, Opus 11

Duo 1: Flute 1 Part, Flute 2 Part, and Score PDF $10.50

Duo 2: Flute 1 Part, Flute 2 Part, and Score PDF $15.00

Duo 3: Flute 1 Part, Flute 2 Part, and Score PDF $16.50

Eugène Walckiers studied composition at the Paris Conservatoire with Anton Reicha and became a masterful, inventive, and prolific composer and arranger of 19th century chamber music.  Both his original compositions and his arrangements are deeply significant in their expression of a particular, highly developed aesthetic approach.  Walckiers' 2^me Livre de Duos pour 2 Flutes, Opus 11, was dedicated to his friend Théodore Baltazaro and comprises three duets of three movements each.  NSM has re-notated all of the Opus 11 duets using a modern music composition software program.  

A review written by Katherine Borst Jones was published in the September, 2013 issue Flute Talk magazine.  "The publication contains extensive notes and material on the composer.  The second duet is great material for sightreading as well as studying the 19th century style of composition. Printed as flute 1 and flute 2, separately, the copy is clear and easy to read."  Click to read the full review. 

For additional information about the Gassett Collection, please see see our article An Introduction to the Gassett Collection.

Duo 1: Fl 1 & Fl 2 Score, 14 pages; Flute 1 part, 9 pages; Flute 2 part, 9 pages; Total, 37 pages. $10.50
Preview Duo 1

Duo 2: Fl 1 & Fl 2 Score, 20 pages; Flute 1 part, 11 pages; Flute 2 part, 11 pages; Total, 47 pages. $15.00
Preview Duo 2 

Duo 3: Fl 1 & Fl 2 Score, 25 pages; Flute 1 part, 11 pages; Flute 2 part, 11 pages; Total, 54 pages. $16.50
Preview Duo 3

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For those who would prefer to purchase a professionally-printed hard copy of this piece, rather than the PDF download, our print edition of Duo 3 from the 2^nd Book of Duos for Two Flutes, Op.11 by Eugène Walckiers is available directly from NSM for $28.05 plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.