Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

duets: alto flute and piano

  • Dvořák - Romantic Pieces - Alto Flute

    JPs_piano__Alto_flute_nicely_cropped_with_Gould_includedRomantische Stücke, Op.75, by Antonín Dvořák

    Transcribed for Alto Flute and Piano by J.W.Pratt and C.A.Vater

    Alto Flute Part, PDF $6.99

    Antonin Dvorak's Romantische Stücke (Romantic Pieces) was composed originally as a trio for two violins and viola but was later rearranged by the composer as a piece for violin and piano.  We created a transcription of the violin part for alto flute - click here to preview p1.  The piano part is readily available in the public domain as a free pdf download of the score for violin and piano.  Here is a link to one such source: Piano Score.

    Alto Flute part, 7 pages; Total, 10 pages.

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  • Dvořák - Sonatina - Alto Flute

    Dvorak Sonatina Op.100 nsmSonatina, Op.100, by Antonín Dvořák 

    Transcribed for Alto Flute and Piano by J.W.Pratt and C.A.Vater

    Alto Flute Part, PDF $11.99

    Czech composer Antonin Dvorak wrote his charming Sonatina in G major for violin and piano in 1893, during his stay in the United States.  Intended for Dvorak's own children but no less delightful for 21st century players of all ages, the piece is comprised of four short movements.  We provide here a transcription of the violin part for alto flute, which suits the "New World" feeling especially well.  Click to preview p1 of the alto flute part.  The piano part is readily available in the public domain as a free pdf download of the score for violin and piano. Here is a link to one such source: Piano Score

    Alto Flute part, 13 pages; Total 16 pages.

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  • Fauré - Sicilienne - Alto Flute

    Faure Sicilienne op78 Afl nsmSicilienne, Op.78, by Gabriel Fauré

    Transcribed for Alto Flute (and Piano) by C.A.Vater

    Alto Flute Part, PDF $3.00

    Sicilienne (Opus 78) was composed by Gabriel Fauré in 1893 and first published as a chamber music version for solo cello or violin with piano accompaniment in 1898.  Numerous transcriptions of this popular piece have been made, including arrangements for flute and piano, viola and piano, horn and piano, flute and harp, 2 flutes and piano, flute and clarinet, and piano solo, among others.  Our alto flute part is a transcription based on the original violin and cello parts of the edition published by J. Hamelle in 1898.  We provide only the transcribed alto flute part; the piano accompaniment is readily available as a free pdf download of the original score for piano and cello, now in the public domain.

    Alto Flute part, 2 pages of music; Total, 4 pages.

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  • Debussy - Première Rhapsodie - Alto Flute

    debussy.premiere rhapsodie.nsmPremière Rhapsodie, by Claude Debussy

    Transcribed for Alto Flute by C.A.Vater, with a Foreword by P.H.Bloom

    Alto Flute Part ― PDF $5.99

    Since its introduction as a morceau de concours for the Paris Conservatoire in 1910, Debussy's Première Rhapsodie has been an essential piece of the clarinet repertoire.... Although most of the morceaux are, by definition, run-of-the mill exercises of virtuosity à la mode, a number have endured as works of significant musical merit.  Debussy's Première Rhapsodie is one such piece.  It's a vehicle for expressive interpretation and artistry, with charm, warmth, passion, and humor; a lasting treasure at the core of every clarinetist's collection of indispensable works.... But a transcription?  Of a work by Debussy - the great colorist of instrumental sonority?  From clarinet to alto-flute?... Each and every element, in fact, evokes the alto-flute!... Of course the piece sounds different on the two instruments.  Although the sonic hues are different, the colors are just as vivid.  The distinct sonorities of the alto-flute support the nuance, the affect, and the power of the work. (excerpted from Peter H. Bloom © 2012)

    Please click to preview p1 of the alto flute transcription of Première Rhapsodie by Debussy.  We provide our alto flute part only; appropriate parts for piano or orchestral accompaniment may be obtained as free pdf downloads from public domain resources, such as imslp.org.

    Alto Flute part, 4 pages.

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  • Fauré - Berceuse - Alto Flute & Piano

    Berceuse, Op.16, by Gabriel Fauréfaure berceuse nsm

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $6.99

    Gabriel Fauré composed his Berceuse(Op. 16) for violin (or cello) and piano in 1878-1879, and it was first published by J. Hamelle, Paris.   To this day, the Berceuse remains one of Fauré's most beloved and popular works.  The piece is simple but beautiful, short, with a quiet sweet melody that appeals to both performers and audiences alike.  It is no wonder that over the years the Berceuse has been transcribed for many other instruments; arrangements have been created for solo piano, viola, flute, alto saxophone, flute and harp, and string quartet, in addition to the composer's own arrangement for violin and orchestra.

    Now, in response to an excellent suggestion we received from one of our customers, we add our own version of the Fauré Berceuse, a transcription for alto flute and piano.  Perhaps we are biased, but we think the alto flute is a wonderful instrument choice for this lullaby.   The piece is suitable for players of all levels.  Click to preview a page of the Fauré Berceuse score for alto flute and piano.

    Alto Flute part, 2 pages; Piano Score, 5 pages; Total, 12 pages.

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  • Beach - 3 Compositions - Alto Flute & Piano

    beach op40 nsm 245px3 Compositions, Op.40, by Amy Beach

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $10.50

    Amy Marcy Cheney was born in Henniker, New Hampshire in 1867 and began composing music at the age of four.  Initially home-schooled as a pianist, she continued her music studies in Boston and made her professional debut as a pianist at age 16.   She later became a soloist with the Boston Symphony Orchestra.  At 18, she married the prominent Boston physician Dr. Henry Harris Aubrey Beach and began using "Mrs. H. H. A. Beach" as her professional name.  She continued to perform occasionally as a pianist, but for many years she focused her musical skills primarily on composing.   After her husband's death in 1910, Mrs. Beach resumed her performing career, beginning with a three year tour of Europe, while also continuing to write music.   Her works were received with great acclaim, and Amy Beach became one of America's leading composers and the first American woman composer to achieve widespread recognition in the United States and abroad.   During her lifetime, she wrote more than 150 numbered works, spanning a variety of genres that included piano pieces, chamber music, orchestral works, sacred choral music, and a great many songs.

    Amy Beach's 3 Compositions for Violin and Piano, Op.40, were first published in 1898.   Written in the romantic style, the three pieces are (1) the beautiful but sombre La Captive, (2) a lovely, lyrical Berceuse, and (3) a lively but still tender Mazurka.  In addition to alto flute transcriptions of all three pieces, we include in our edition a version of the Mazurka transcribed for flute and piano (score and part), for those wishing to give this option a try as well.

    Click to preview a page of the Amy Beach "Berceuse" score transcribed for Alto Flute and Piano.

    Alto Flute part, 4 pages; Piano/Alto Flute Score, 10 pages;

    Alternate "Mazurka" Flute part, 2 pages; "Mazurka" Piano/Flute Score, 5 pages;

    Total, 29 pages.

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  • Bauer - Sonata - Alto Flute

    bauer op.22 nsmSonata, Op.22, by Marion Bauer

    Transcribed for Alto Flute by Peter H. Bloom (originally for viola)

    Alto Flute Part, PDF $11.79

    The following notes are excerpted, with permission, from the complete copyrighted foreword written by Peter H. Bloom for the Noteworthy Sheet Music edition of his transcription:

    "The career of Marion Eugenie Bauer (1882-1955) as a composer, editor, writer, teacher, supportive colleague and mentor continues to assert a significant impact on the trajectory of American Music.  It's mysterious that her legacy has been so rarely recalled and her music so infrequently performed in the six decades following her death.  ...  In 1906 she was the first of generations of American composers to study in Paris with the redoubtable Nadia Boulanger.  ...  We're fortunate that the composer crafted her own superb transcription of this sonata for clarinet and piano.  In order to achieve the equivalent musical impact, her viola and clarinet versions differ in some places.  The piano part, nevertheless, remains unchanged.  Sometimes we've opted for the clarinet version, sometimes the viola version, and sometimes a conflation of the two.  We have also made a few adaptive changes in tessitura, articulation, phrasing and dynamics to highlight the unique voice of the alto flute.  Though execution may occasionally differ, the rhetorical and emotional shape of the work remains essentially the same."

    P. H. Bloom, © January 7, 2014

    We provide our alto flute transcription; the piano part is readily available as a free pdf download of the score from sources such as imslp.org/.  Click to preview a page of the alto flute part.

    Alto Flute part, 9 pages of music; Total, 12 pages.

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  • Mendelssohn - On Wings of Song - Alto Flute & Piano

    MendelssohnOWOS.NSMOn Wings of Song, Op.34, No.2, by Felix Mendelssohn

    Transcribed for Alto Flute and Piano by C.A.Vater

    Alto Flute Part and Piano Score, PDF $5.99

    Having made significant contributions as a poet, essayist, journalist, and critic, Christian Johann Heinrich Heine (1797-1856) is considered one of the great German writers of the 19th century.  Many of his romantic poems were chosen as the text for Lieder by such eminent composers as Schubert, Schumann, and Brahms.  The Heine poem Auf Flügeln des Gesanges, which translates into English as On Wings of Song, was set to music by Felix Mendelssohn and published as No. 2 of six songs for voice and piano constituting his Opus 34.  Auf Flügeln des Gesanges became one of Mendelssohn's most famous art songs, and remains popular to this day.  Arrangements and transcriptions of the music have been created for small orchestra, flute and guitar, flute and piano, violin and piano, two violins, cello and piano, treble choir, and piano solo, among others.  With its charming, simple melody and narrow pitch range, On Wings of Song is highly accessible and understandably a favorite of vocal and instrumental soloists of all levels.  Our transcription is in the key of G, and the song is especially mellow and lovely when played on alto flute. 

    Alto Flute part, 1 page; Piano Score, 4 pages; Total, 8 pages.

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    We also offer a professionally-printed hard copy edition of On Wings of Song for $10.18 plus a shipping and handling fee. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

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  • Elgar - Chanson de Matin - AFl & Pf

    elgar chanson-de-matin afl-and-pf nsmChanson de Matin, Op.15, No.2, by Edward Elgar

    Transcribed for Alto flute and Piano by C.A.Vater

    Alto Flute Part and Piano Score, PDF $6.99

    Edward Elgar composed his Chanson de Matin for violin and piano c.1889-1890.  The two companion pieces, Chanson de Matin (No. 2) and Chanson de Nuit (No. 1), together constitute his Op.15, and both pieces were later arranged for small orchestra by the composer.  Chanson de Matin was received with great enthusiasm, and its initial and lasting popularity can be attributed largely to its strong melodic appeal.  Enduring public affection for the piece has spawned the creation of numerous arrangements and transcriptions, including renditions for cello and piano, viola and piano, flute and guitar, piano solo, organ solo, and string quartet.  Noteworthy Sheet Music offers two of our own transcriptions of the lovely Chanson de Matin, one for alto flute and piano and one for C-flute and piano.

    Alto Flute part, 2 pages; Piano Score, 4 pages; Total, 12 pages.

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  • Fauré - Pièce - Alto Flute & Piano

    faure piece nsmPièce (Vocalise-Étude), by Gabriel Fauré

    Transcribed for Alto Flute and Piano by C.A.Vater

    Alto Flute Part and Piano Score, PDF $4.99

    Vocalises are songs without words written to provide technical challenges for singers; they are designed to develop flexibility and control, and thus often serve as vocal warm-up exercises.  Gabriel Fauré composed his Vocalise-Étude in 1906, and it was published by Leduc the following year.  The original piece, in the key of E minor and marked Adagio molto tranquillo, includes a piano accompaniment and incorporates various difficulties for the vocal soloist, including wide intervals, unexpected harmonies, and demanding rhythms.

    Fauré's Vocalise-Étude has long been recognized as a particularly lovely and poignant piece of music, not merely a vocal exercise but a musical work of intrinsic beauty.  Under its alternative name Pièce, the Vocalise-Étude has been transcribed for various orchestral instruments, including bassoon and piano, flute and piano, and oboe and harp.  We at Noteworthy Sheet Music think the alto flute, with its rich, mellow tone, is the perfect instrument for this moving and somewhat melancholy Fauré melody.  Our transcription for alto flute and piano is based on the version of the Vocalise-Étude for medium voice, in the key of D minor, published by Alphonse Leduc in 1907 and now in the public domain.

    Alto Flute part, 1 page; Piano Score, 3 pages; Total, 8 pages.

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