Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute

duets: flute and piano

  • Gade Fantasy-Pieces-Op43 Flute nsmFantasiestücke, Op.43, by Niels W. Gade

    Transcribed for Flute and Piano by J. W. Pratt

    Flute Part, PDF $6.99

    Niels Wilhelm Gade (1817–1890) became the preeminent figure in 19th century Danish musical life after an early success in Copenhagen and five years in Leipzig as Mendelssohn's assistant and successor.  His Fantasiestücke (Fantasy Pieces, Opus 43) for clarinet (or violin) and piano were published in 1864, apparently his only work published that year although others were in progress.  They are dedicated to the clarinetist "Herrn Kammermusiker Mozart Petersen."  Our flute transcriptions take into account the nature of the flute and the discrepancies between Gade's original score and the clarinet and violin parts.  The piano score is readily available in the public domain, as a free pdf download of the score for clarinet and piano. Here is a link to one such source: Piano Score

    Flute part, 7 pages; Total, 10 pages.

  • Weber GrandDuo Fl nsmGrand Duo Concertant, Op.48, by Carl Maria von Weber

    Transcribed for Flute and Piano by John. W. Pratt

    Flute Part, PDF $9.98

    Carl Maria von Weber (1786-1826), an important forerunner of the Romantic school, was a prolific composer, yet wrote only three substantial chamber works.  One is the Grand Duo Concertant for clarinet (or violin) and piano.  Sounding a bit like Mozart on steroids, with robust harmonies and brilliant passagework, it has three movements - an exciting Allegro con fuoco, a beautiful Andante with a very rich, chordal piano accompaniment and passionate piano interlude, and a sparkling Rondo.  This flute transcription of the Weber clarinet part is an NSM favorite; click to preview p1.  The piano part is readily available in the public domain, as a free high quality pdf download of the score for clarinet and piano; here is a link to the listing on imslp.org:  Piano Score

    Flute part, 10 pages; Total, 12 pages.

  • beethoven adelaide nsmAdelaide, by Ludwig van Beethoven

    Anonymous Arrangement for Flute, each edition with a Foreword by P. H. Bloom

    New Edition, Flute Part and Piano Score (flute part in small staff) – PDF $10.50

    Facsimile Edition, Flute Part and Piano Score (clarinet part in small staff) – PDF $8.25 

    Beethoven completed his musical setting for Friedrich von Matthison's poem Adelaide in 1796.  The song quickly became a favorite interpretive vehicle for instrumentalists as well as singers.  Clarinetist Iwan Müller's "bel canto" treatment, essentially the original melody with added ornaments, cadenzas, and interpretive notations, remained a favorite among concertizing clarinetists for more than a century.  It's likely that Müller's work informs the anonymous arrangement for flute, published by Diabelli in the second quarter of the 19th century, that we present here....  This anonymous paraphrase of Adelaide is a masterful study of the subtle nuance and passionate restraint of "bel canto" instrumental praxis.  (excerpted from the foreword ©by P. H. Bloom)

    After offering our facsimile edition of Adelaide for some time, we decided to create a newly-notated modern edition as well.  We love (and perform) this piece so much, that we didn't want anyone to forgo an opportunity to acquaint themselves with it merely due to the 19th century presentation of the facsimile.  Now, there is a choice between the facsimile edition and a modern edition, the latter of course having the flute part in small staff in the score.

     

    beethoven adelaide nsmNew Edition: Flute & Piano score, 10 pages; Flute part, 4 pages; $10.50.

     

     

     

    adelaide-123111-webFacsimile Edition: Clarinet & Piano score, 9 pages; Flute part, 2 pages; $8.25.

     

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    We also offer a professionally-printed hard copy edition of Adelaide for $15.75 plus a $5.95 shipping and handling fee to addresses in the USA.  Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address.  We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Altes PremierSolo nsmPremier Solo pour La Flûte, Op. 20, by Henry Altès

    Facsimile Edition by Noteworthy Sheet Music
    with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $12.75

    Henry Altès (1826-1899) is primarily remembered today as the author of a particularly useful Méthode Complète de Flûte (1906), yet his impact on fellow flutists for nearly a century-and-a-half can hardly be overestimated.  A student of the Boehm flute pioneer Louis Dorus, Altès succeeded Dorus as Professeur au Conservatoire de Parisupon upon the latter's retirement in 1869 and served in that capacity for a record twenty-eight years. Premier Solo pour La Flûte was dedicated to Louis Dorus, and was the first of ten Morceaux des Concours that Altès would write for the annual Paris Conservatory competition.  That this was the only one of the ten to have been required in two contests speaks to its endearing durability.  (excerpted from the foreword by P. H. Bloom) 

    The NSM edition of the Premier Solo pour La Flûte avec Accompagnement de Piano by Henry Altès is an “enhanced” facsimile of the original print publication from Paris, chez S. Richault, Editeur, Boulevard Poissonniere, 26 au 1er, R4241. We used an image editing program to clean up digital scans of the original printed pages and make a few minor modifications and corrections, as noted in our publication. We have added a new cover page (paying tribute to Altès’ birthplace of Rouen with a painting by Gauguin) and a foreword by Mr. Bloom, but the music has not been re-notated and thus remains in the original style and format; please have a look at the free preview pages provided before ordering.

        

    Piano and Flute score, 12 pages; Flute Part, 5 pages; Total, 22 pages.

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  • Berbiguier Op77 nsmGrande Fantaisie, Op. 77, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $16.99

    Benoit Tranquille Berbiguier (1782-1838) was among the preeminent European flutists of the early nineteenth century.  Berbiguier was a prolific composer, and his nearly 150 published works include sets of duos and trios for flutes, as well as music that features flute with piano, orchestra, and chamber ensembles.  His Grande Fantaisie avec Variations pour Flûte avec Accompagnement de Piano Forte (Opus 77) was composed on two motifs from Der Freischütz, Carl Maria von Weber's monumental opera which premiered in Berlin in 1821 and became an immediate international sensation.  Sheet music for flute and piano—click to preview a page of the Berbiguier Grande Fantaisie Piano part.

    Piano part, 9 pages; Flute part, 8 pages; Total, 24 pages.

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  • Cover_with_green_border._jpg_imageNouvelle Fantaisie pour Flûte, Op. 80, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $13.50

    Berbiguier's Nouvelle Fantaisie (Opus 80), like his Grande Fantaisie (Opus 77), was composed on melodies from Carl Maria von Weber's genre-defining opera Der Freischütz.  Both pieces were published around 1825.  Enthusiasm for Der Freischütz continued to build in subsequent decades, as evinced by the nearly numberless fantaisies, paraphrases, souvenirs, and variations that have been published.  Melodies from Freischutz pervade the classic repertoire of instruments from aeolian pianola to zither, including examples for concertina, mandolin, saxophone, and ocarina quartet.  Piano and flute sheet music—click to preview p1 of the Berbiguier Nouvelle Fantaisie flute part.

    Piano part, 11 pages; Flute part, 7 pages

  • Furstenau Adagio-Rondo nsmAdagio et Rondo Brillant, Op.95, by A. B. Fürstenau

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $12.00

    Anton Bernhard Fürstenau (1792-1852) was among the most revered flutists of the 19th century.  Following his appointment to the post of principal flute for the Royal Chapel at Dresden in 1820, Fürstenau became a valued colleague and close personal friend of the court's music director, Carl Maria von Weber.  The influence of Weber's dramatic melodic gestures and edgy harmonic shifts can be heard in this passionately evocative Adagio et Rondo Brillant.  An NSM favorite!  

    Piano score, 12 pages; Flute part, 4 pages; Total, 20 pages.

  • JRV-11Fantaisie pour la Flûte, Op.65, by Eugène Walckiers

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $19.50

    A student of Jean-Louis Tulou, Eugène Walckiers (1793-1866) was a flutist and an exceptionally talented composer.  His Fantaisie pour la Flûte Sur la Ronde du Postillon de Lonjumeau is a delightfully engaging and challenging work based on emblematic material from the comic opera by the French composer Adolphe Adam (1803-1856).  The famous Ronde du postillon appears at the end of Act I of Le Postillon de Lonjumeau (The Coachman of Lonjumeau), which premiered in Paris in 1836.  Click to preview p1 of the Flute part.

    Piano score, 19 pages; Flute part, 8 pages; Total, 32 pages.

     

  • reissiger  furstenau nsmLes Inseparables!, Op.45, by Reissiger & Fürstenau

    Grand Original Duets for Piano and Flute, No.1

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute and Piano Parts, PDF $20.25

    Carl Gottlieb Reissiger's Opus 45 was written as a Sonata for Violin and Piano, but was adapted for flute by Anton Bernhard Fürstenau.  Fürstenau (1792-1852) composed and arranged many works for flute.  He was among the most admired flutists of the 19th century and remains a well-known favorite of flutists today.  Reissiger (1798-1859) was an accomplished composer of opera, orchestral, and chamber music.  An influential figure in the city of Dresden, he served as Director of the Dresden Opera and later as Kapellmeister.  Les Inseparables! No.1, is the first of the Three Grand Original Duets for Piano and Flute by Reissiger and Fürstenau.  The piece, which consists of three movements, is a virtuosic work that should delight and challenge both players.  Click to preview p1 of the Flute part.

    Piano part, 21 pages; Flute part, 6 pages; Total, 33 pages.

  • Jean_louis_tulouIntroduction et Rondo pour la Flûte, Op.49, by Tulou

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $12.75

    Jean-Louis Tulou (1786-1865) was a prominent, virtuoso French flutist, composer, and flute maker. He was a member of the orchestra of the Paris Opéra, and served as professor of flute at the Paris Conservatoire from 1829-1856. Tulou composed a great many works for flute, including 5 concertos and numerous solos and duets. In 1835 he published his "Méthode de Flûte", still valuable today as a guide to performance practice in the early 19th century and for instruction on playing pre-Boehm keyed flutes. We offer here our facsimile edition of Tulou's Introduction et Rondo pour la Flûte avec Accompagnement de Piano (Op.49), an energetic, enjoyable romp for flute.

    Piano score, 12 pages; Flute part, 5 pages; Total, 21 pages.


     

  • Briccialdi_with_captionFantaisie pour la Flûte, Op.110, by Briccialdi

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $13.50

    The virtuoso Italian flutist Giulio Briccialdi (1818-1881) was a captivating performer and a brilliant and prolific composer of works for the flute.  His compositions became highly popular among flutists and include several concerti and numerous duets, caprices, fantasies, and etudes.  He served as professor of flute at the Academy of St. Cecilia in Rome and later at the Florence Conservatoire.  A proponent of the Boehm flute, Briccialdi is best known today for his invention of the Briccialdi B-flat thumb key and for his variation on the Carnival of Venice, "Il Carnevale di Venezia" (Op.78).  We offer here our facsimile edition of his charming, challenging, and otherwise unavailable Fantaisie pour la Flûte sur des motifs de l'opera La Sonnambula de Bellini (Op.110).  Click to preview p1 of the score.

    Piano score, 13 pages; Flute part, 5 pages; Total 23 pages.

  • R-S LaPasta nsmLa Pasta! Op.36, by Reissiger & Sedlatzek

    Concertantes Variations sur la Cavatina de Rossini, No.3

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Flute and Piano Parts, PDF $13.50

    Reissiger and Sedlatzek's  work  La Pasta is a particularly effective concert piece with which the accomplished flutist can enthrall a diverse audience by evoking the dramatic majesty of grand opera while applying the scintillating techniques of the 19th century virtuoso.  La Pasta is flutist Johann Sedlatzek's homage, celebration, and souvenir of the redoubtable  mezzo-soprano Giuditta Pasta (1798± - 1866±), arranged by the superb composer/conductor Carl Gottlieb Reissiger.  Pasta (nee Negri)  was  a cynosure of Italian opera who created brilliant dramatic roles for Bellini, Donizetti, and Rossini.  Legendary Maria Callas (1923-77) is often compared to Pasta  by opera aficionados, but few are likely to have heard both in their prime.  — P. H. Bloom, 5/23/2011

    Click to preview p1 of the Flute part.

    Piano part, 13 pages; Flute part, 5 pages; Total, 24 pages

  • nicholson coolun 240pxCoolun, A favorite Irish Air with Four Variations, by C. Nicholson

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Piano Score and Flute Part, PDF $9.99

    Charles Nicholson (1795-1837) was a masterful, hugely popular, and highly influential English flutist and teacher, famous for his individual style and powerful tone.  Among Nicholson's compositions are 13 fantasies and 15 airs with variations, including Coolun. A favorite Irish Air with Four Variations arranged for the Flute with an ad libitum Accompaniment for the Piano Forte, or Harp.  The "Coulin" or "Coolan" was described in an 1833 letter to the editor of the Dublin Penny Journal (www.libraryireland.com) as "an air, that once heard even in the earliest infancy, can never be forgotten—a melody which breathes the most touching tenderness and exquisite sensibility, and the memory of which, enables the Irish to hear Scotland's 'O, Nanny wilt thou gang with me,'—or her 'Banks and Braes,' without envious repinings."

    Nicholson's consummate rendition of Coolun is highly effective when played either as a solo for flute alone or by flute with accompaniment of piano, lever harp, or pedal harp.  The Gassett Collection print from which our facsimile was created consists of a score for piano forte and flute, without a separate flute part. The flute part included in our edition was created from the score using a modern music notation software program.  Click to preview p1 of the score.

    Noteworthy Sheet Music's publication of Coolun was favorably reviewed by Katherine Borst Jones in the January, 2014 issue of Flute Talk magazine.  You can read the review, reproduced on our website for your convenience, or at Flute Talk (subscribers).

    Piano score, 6 pages; Flute part, 5 pages; Total, 15 pages.

     

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    To order our print edition of Coolun, A Favorite Irish Air arranged for Flute and Piano or Harp for $16.98 plus a $5.95 shipping and handling fee to addresses in the USA. Use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided.

  • Berbiguier Les-Regrets nsmLes Regrets, Op.104, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $18.00

    Berbiguier dedicated Les Regrets (Mélodie Concertante, Opus 104) to his close friend, the composer-'cellist Pierre-Louis Hus-Desforges.  Les Regrets appears to be a missive of consolation from one musical colleague to another, both disillusioned and scarred veterans of decades of nationalist French intrigue.  Though the initial theme is a plaintive rendering of a dour dead-march, its development is mournfully elegant.  The subsequent developments serve to uplift performer and listener with a musical meditation that, though turbulent, avoids bathos.  Dashes of a bit of scherzo here and there move the music, ultimately, to an heroic major-key finale. 

    Piano score, 18 pages; Flute part, 6 pages; Total, 32 pages.

  • lane.transverse fractures.imageTransverse Fractures, by Peter Van Zandt Lane

    Contemporary Composition for Flute and Piano, PDF $20.00

    Peter Van Zandt Lane's compositions have been featured on various festivals and conferences such as the New York City Electroacoustic Music Festival, Spark Festival, FEASt Fest, SEAMUS National Conferences, Forecast Music, Festival Miami, and LIPM/IEMS at the world renowned Teatro Colón in Buenos Aires.  He has received awards in several competitions including the CRS Young Composers competition, the Forecast Music International Composers Competition, The Greater Miami Youth Symphony Composition Competition, and the Cleveland Orchestra Miami Residency Call for Scores.  He has been a finalist twice for the ASCAP/SEAMUS Student Commission, and is an active member of the Composers in Red Sneakers, one of the country's longest-running composer consortiums.

    Transverse Fractures (2009) is a short, virtuosic, high-energy duet for flute and piano.  The piece was derived from a larger, longer chamber work entitled Partial Fractures, which the composer wrote for NotaRiotous Ensemble.  Transverse Fractures, approximately 5 minutes long, is a piece of considerable difficulty for both the flutist and the pianist.  Click to preview p1 of the score.

    Piano Score, 13 pages; Flute Part, 7 pages; Total, 23 pages.  


  • dressler portrait charmant nsmPortrait Charmant, by Raphael Dressler

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music

    Part for Flute or Violin and Piano Score, PDF $3.00

    Raphael Dressler (1784-1835) was a well-known Austrian flutist and composer.  He wrote more than 100 compositions for flute and published a popular flute method book, New and Complete Instructions for the Flute.  His career included a position as first flutist in the Kärntnerthor Theater orchestra in Vienna and many years as a teacher and performer in London.  Dressler's Portrait Charmant is the fifth of his Douze Thèmes Favoris pour Pianoforte et Flûte (ou Violon).  The piece is a short work, simple yet indeed charming, and playable by flutists (or violinists) and pianists of many skill levels.  A favorite of ours, Portrait Charmant can also be played effectively as a solo work for flute or violin alone.

    Click to preview p1 of the piano score for Portrait Charmant by Dressler.

    Piano score, 3 pages; Flute or Violin part, 1 page; Total, 8 pages.

  • Gabrielsky_Op.71_imageAdagio et Variations pour la Flûte sur un Thême de Caraffa, Op. 71, by W. Gabrielsky

    Gassett Collection - New Edition by Noteworthy Sheet Music

    Flute Part and Piano Score, PDF $18.75

    Johann Wilhelm Gabrielski (or Gabrielsky), 1795-1846, was an acclaimed German flutist and composer from Berlin.  In 1814 Gabrielski secured a position as flutist at the theatre in Stettin and within two years was appointed to the Royal Court.  Gabrielski's compositions, of which there are more than 100, were highly esteemed and popular in his day.  Although these works have much to offer modern day flutists as well, Gabrielski's music is neither widely known nor readily available today.  The Adagio et Variations pour la Flûte, Op. 71, exploits melodic material by Michele Enrico Carafa (Caraffa) di Colobrano (1787-1872), a Naples born musician who had a remarkably successful career in Paris as a composer for the Opéra-Comique and as a professor of composition and counterpoint at The Conservatoire.  The work showcases the flutist's virtuosity, atop a relatively uncomplicated piano accompaniment.  Click to preview p1 of the score.

    Flute part, 11 pages; Piano Score, 16 pages; Total, 31 pages. 

  • Haydn_Adagio_image_rAdagio from Symphony No. 24, by F. J. Haydn

    Arranged for Flute and Piano by John W. Pratt

    Flute Part and Piano Score, PDF $6.00

    Franz Joseph Haydn (1732-1809) wrote his Symphony No. 24 in 1764. The second movement is a beautiful Adagio for solo flute accompanied by strings, with a place for a cadenza.  We offer here a piano transcription of the string accompaniment, with appropriate adaptations in sonority, and the flute part with a written cadenza based closely on Haydn's material and style.  Players will find the resulting one-movement flute sonata both affecting and highly rewarding.  Click to preview p1 of the score.

    Flute part, 2 pages; Flute & Piano score, 4 pages; Total, 10 pages. 

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    We also offer a professionally-printed hard copy edition of the Haydn Adagio for $13.49 plus a $5.95 shipping and handling fee. Due to prohibitively high international shipping rates, we ship print editions only to addresses in the USA. Please use the Contact Us form to let us know which hard copy publication(s) you would like to purchase, along with your email contact information and USPS mailing address. We will then send you a PayPal invoice for the sale and, once we receive notice from PayPal that you have paid for the item(s), we will ship your music to the address provided for delivery in 7-10 business days.

  • Title_page_image_for_websiteAdagio from Quartet in F Major, Op.20, No.5, by F. J. Haydn

    Arranged for Flute and Piano by John W. Pratt

    Flute Part and Piano Score, PDF $10.00

    The third movement of Haydn's string quartet Opus 20, No. 5 is an Adagio with a simple melody that is treated to delightful filigreed elaboration and obbligato decoration by the violin.  Although more complex quartet movements are typically unsuited to transcription, in this beautiful Adagio the soloistic nature of the violin part and the simplicity of the lower string parts lend themselves very well to an arrangement for flute and piano, as in the fine transcription we offer here.  Click to preview p1 of the score.

    Flute part, 3 pages of music; Piano score, 7 pages of music; Total, 14 pages.

  • sarasate op.22 image 240pxRomanza Andaluza, by Pablo de Sarasate

    Transcribed for Flute (originally for violin) by Peter H. Bloom

    Flute Part, PDF $6.66

    'Pablo Sarasate was one of those rare violin virtuosos whose compositions, while designed to display instrumental athleticism, also expressed elegance, economy, imagination, a suave sensuality, and musical integrity.  His music befits the sort of technique that, although acrobatic, is captivating rather than assaultive; evocative rather than provocative.  It's with this spirit—to amuse, amaze, and engage the audience while providing a satisfying challenge to the performer—that I've adapted his Romanza Andaluza for flute.

    Sarasate frequently used the musical material of folk songs and dances from his native Spain as a framework for his pieces.  With the melody prescribed, the harmonies implied, and the style both familiar and exotic, he would paraphrase, embellish, and interpret as if to say "with the violin, we can do this..."  Inspired by his source material, his methods, and his style, I propose that: With the flute, then, we can do this...' ― Peter H. Bloom, June 23, 2012 ©

    Romanza Andaluza, Op.22 was written originally for violin and piano.  Editions of the piano score (click to access) are available as free PDF downloads from online libraries of public domain music, such as imslp.org.  We provide the Flute part - click here to preview p1.

    Flute part, 4 pages; Total, 6 pages.