Noteworthy Sheet Music, LLC

Uncommon Sheet Music for Flute and Alto Flute


  • Altès - Premier Solo pour La Flûte - Flute & Piano

    JRV-4Premier Solo pour La Flûte, Op. 20, by Henry Altès

    Facsimile Edition by Noteworthy Sheet Music
    with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $12.75

    Henry Altès (1826-1899) is primarily remembered today as the author of a particularly useful Méthode Complète de Flûte (1906), yet his impact on fellow flutists for nearly a century-and-a-half can hardly be overestimated.  A student of the Boehm flute pioneer Louis Dorus, Altes succeeded Dorus as Professeur au Conservatoire de Parisupon the latter's retirement in 1869 and served in that capacity for a record twenty-eight years.  Premier Solo pour La Flûtewas dedicated to Louis Dorus, and was the first of ten Morceaux des Concours that Altès would write for the annual Paris Conservatory competition.  That this was the only one of the ten to have been required in two contests speaks to its endearing durability.  (excerpted from the foreword by P. H. Bloom)  For flute and piano.  

    Piano and Flute score, 12 pages; Flute Part, 5 pages; Total, 21 pages.

  • Berbiguier - Grande Fantaisie - Flute & Piano

    Berbiguier Op77 nsmGrande Fantaisie, Op. 77, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $16.99

    Benoit Tranquille Berbiguier (1782-1838) was among the preeminent European flutists of the early nineteenth century.  Berbiguier was a prolific composer, and his nearly 150 published works include sets of duos and trios for flutes, as well as music that features flute with piano, orchestra, and chamber ensembles.  His Grande Fantaisie avec Variations pour Flûte avec Accompagnement de Piano Forte (Opus 77) was composed on two motifs from Der Freischütz, Carl Maria von Weber's monumental opera which premiered in Berlin in 1821 and became an immediate international sensation.  Sheet music for flute and piano—click to preview a page of the Berbiguier Grande Fantaisie Piano part.

    Piano part, 9 pages; Flute part, 8 pages; Total, 24 pages.

  • Berbiguier - Les Regrets - Flute & Piano

    Berbiguier Les-Regrets nsmLes Regrets, Op.104, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute Part and Piano Score, PDF $18.00

    Berbiguier dedicated Les Regrets (Mélodie Concertante, Opus 104) to his close friend, the composer-'cellist Pierre-Louis Hus-Desforges.  Les Regrets appears to be a missive of consolation from one musical colleague to another, both disillusioned and scarred veterans of decades of nationalist French intrigue.  Though the initial theme is a plaintive rendering of a dour dead-march, its development is mournfully elegant.  The subsequent developments serve to uplift performer and listener with a musical meditation that, though turbulent, avoids bathos.  Dashes of a bit of scherzo here and there move the music, ultimately, to an heroic major-key finale. 

    Piano score, 18 pages; Flute part, 6 pages; Total, 32 pages.

  • Berbiguier - Nouvelle Fantaisie - Flute & Piano

    Cover_with_green_border._jpg_imageNouvelle Fantaisie pour Flûte, Op. 80, by T. Berbiguier

    Gassett Collection - Facsimile Edition by Noteworthy Sheet Music, with a Foreword by Peter H. Bloom

    Flute and Piano Parts, PDF $13.50

    Berbiguier's Nouvelle Fantaisie (Opus 80), like his Grande Fantaisie (Opus 77), was composed on melodies from Carl Maria von Weber's genre-defining opera Der Freischütz.  Both pieces were published around 1825.  Enthusiasm for Der Freischütz continued to build in subsequent decades, as evinced by the nearly numberless fantaisies, paraphrases, souvenirs, and variations that have been published.  Melodies from Freischutz pervade the classic repertoire of instruments from aeolian pianola to zither, including examples for concertina, mandolin, saxophone, and ocarina quartet.  Piano and flute sheet music—click to preview p1 of the Berbiguier Nouvelle Fantaisie flute part.

    Piano part, 11 pages; Flute part, 7 pages

  • Coste - Cavatine - Afl + Pf

    coste cavatine 245px nsmCavatine, Op.37, by Napoléon Coste

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $8.25

    Napoléon Coste (1805-1883) was born in a small village in the Départment of the Doubs, France.  He began to play guitar at the age of 6, studying with his mother who was an accomplished guitar performer.   Napoléon himself began teaching and performing on guitar as a teenager.   At age 24 he moved to Paris, where he studied under Fernando Sor, the renowned Spanish classical guitarist and composer.   Coste quickly established himself as a virtuoso and is widely acknowledged as the dominant French guitarist of his era.

    Coste became famous not only as a guitar soloist, but also as a major composer of some 60 works, most of which were written for guitar.   His Op.37 "Cavatine" is a short, single-movement piece for piano and oboe (or violin or flute).   Melodic but lively in places, the work should appeal to amateurs of a moderate or higher skill level.   Our transposition of Cavatine falls nicely within the range of the alto flute and sounds appealing and completely natural on that instrument.  The Noteworthy Sheet Music edition includes a score for piano and alto flute, in addition to the

  • Debussy - Première Rhapsodie - Alto Flute

    debussy.premiere rhapsodie.nsmPremière Rhapsodie, by Claude Debussy

    Transcribed for Alto Flute by C.A.Vater, with a Foreword by P.H.Bloom

    Alto Flute Part ― PDF $5.99

    Since its introduction as a morceau de concours for the Paris Conservatoire in 1910, Debussy's Première Rhapsodie has been an essential piece of the clarinet repertoire.... Although most of the morceaux are, by definition, run-of-the mill exercises of virtuosity à la mode, a number have endured as works of significant musical merit.  Debussy's Première Rhapsodie is one such piece.  It's a vehicle for expressive interpretation and artistry, with charm, warmth, passion, and humor; a lasting treasure at the core of every clarinetist's collection of indispensable works.... But a transcription?  Of a work by Debussy - the great colorist of instrumental sonority?  From clarinet to alto-flute?... Each and every element, in fact, evokes the alto-flute!... Of course the piece sounds different on the two instruments.  Although the sonic hues are different, the colors are just as vivid.  The distinct sonorities of the alto-flute support the nuance, the affect, and the power of the work. (excerpted from Peter H. Bloom © 2012)

    Please click to ...

  • Fauré - Berceuse - Alto Flute & Piano

    Berceuse, Op.16, by Gabriel Fauréfaure berceuse nsm

    Transcribed for Alto Flute and Piano by C.A.Vater

    Piano Score and Alto Flute Part, PDF $6.99

    Gabriel Fauré composed his Berceuse(Op. 16) for violin (or cello) and piano in 1878-1879, and it was first published by J. Hamelle, Paris.   To this day, the Berceuse remains one of Fauré's most beloved and popular works.  The piece is simple but beautiful, short, with a quiet sweet melody that appeals to both performers and audiences alike.  It is no wonder that over the years the Berceuse has been transcribed for many other instruments; arrangements have been created for solo piano, viola, flute, alto saxophone, flute and harp, and string quartet, in addition to the composer's own arrangement for violin and orchestra.

    Now, in response to an excellent suggestion we received from one of our customers, we add our own version of the Fauré Berceuse, a transcription for alto flute and piano.  Perhaps we are biased, but we think the alto flute is a wonderful instrument choice for this lullaby.   The piece is suitable for players of all levels.  Click to ...

  • Fauré - Pièce - Alto Flute & Piano

    faure piece nsmPièce (Vocalise-Étude), by Gabriel Fauré

    Transcribed for Alto Flute and Piano by C.A.Vater

    Alto Flute Part and Piano Score, PDF $4.99

    Vocalises are songs without words written to provide technical challenges for singers; they are designed to develop flexibility and control, and thus often serve as vocal warm-up exercises.  Gabriel Fauré composed his Vocalise-Étude in 1906, and it was published by Leduc the following year.  The original piece, in the key of E minor and marked Adagio molto tranquillo, includes a piano accompaniment and incorporates various difficulties for the vocal soloist, including wide intervals, unexpected harmonies, and demanding rhythms.

    Fauré's Vocalise-Étude has long been recognized as a particularly lovely and poignant piece of music, not merely a vocal exercise but a musical work of intrinsic beauty.  Under its alternative name Pièce, the Vocalise-Étude has been transcribed for various orchestral instruments, including bassoon and piano, flute and piano, and oboe and harp.  We at Noteworthy Sheet Music think the alto flute, with its rich, mellow tone, is the perfect instrument for this moving and somewhat melancholy Fauré melody.  Our transcription for alto flute and piano is based on the version of the

  • Fauré - Sicilienne - Alto Flute

    Faure Sicilienne op78 Afl nsmSicilienne, Op.78, by Gabriel Fauré

    Transcribed for Alto Flute (and Piano) by C.A.Vater

    Alto Flute Part, PDF $3.00

    Sicilienne (Opus 78) was composed by Gabriel Fauré in 1893 and first published as a chamber music version for solo cello or violin with piano accompaniment in 1898.  Numerous transcriptions of this popular piece have been made, including arrangements for flute and piano, viola and piano, horn and piano, flute and harp, 2 flutes and piano, flute and clarinet, and piano solo, among others.  Our alto flute part is a transcription based on the original violin and cello parts of the edition published by J. Hamelle in 1898.  We provide only the transcribed alto flute part; the piano accompaniment is readily available as a free pdf download of the original score for piano and cello, now in the public domain.

    Alto Flute part, 2 pages of music; Total, 4 pages.

  • Herman - Grands Duos Concertantes - Two Flutes

    herman.op.86 duo1 248Trois Grands Duos Brillants et Mélodiques pour Deux Flûtes Concertantes, by Jules Herman

    New Editions by Noteworthy Sheet Music, with a Foreword by P. H. Bloom

    Duo 1: Flute 1 Part, Flute 2 Part, and Mini-Score ― PDF $17.98

    Duo 2: Flute 1 Part, Flute 2 Part, and Mini-Score ― PDF $21.75

    Duo 3: Flute 1 Part, Flute 2 Part, and Mini-Score ― PDF $17.98


    Jules Herman's Grands Duos Concertantes (Opus 86) are works of ingenuity, charm, brilliance, grace, and humor.  Long overlooked, they are extraordinarily fine examples of concert-worthy duets of the late 19th century.  Originally published by Choudens in Paris about 1885, the Grand Duos were dedicated to composer François-Auguste Gevaert (1828–1908), then director of the Royal Conservatory of Brussels.  Flutists will find these works challenging and rewarding, teachers of advancing students will be amazed by their utility, and audiences will be enchanted.  (excerpted from PHB's © foreword)

    Note that these duets make for excellent sight-reading training... the music is interesting and demanding, and the parts are nicely balanced.  Duo 1 has three movements: Allegro moderato, Adagio sostenuto, and Rondo allegro.  Duo 2 also has three movements: Moderato, Scherzando, and


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